The Malcontents Manifesto

The Malcontents Manifesto

Back in 2004 I wrote a pamphlet entitled The Malcontents Manifesto. It was a sort of unified theory of all of the ideas I was attached to at the time. It is a quasi-religious tract that sits somewhere between the Principia Discordia and the Unabombers Manifesto. It is a rough synthesis of absurdist philosophy, panentheism and anarchism. Many of the ideas contained therein I have since abandoned. Some I have abandoned and then later recaptured. Most notable is that since this writing I have gone from a sort of leftist primitivist anarchism, filtered through libertarianism, and eventually landed in the camp of Anarcho-Futurism, where I sit today.

This tract was written and compiled before I was very internet savvy. Instead I chose to use the old school DIY zine format to get my message out there. I printed the scripts and then pasted them to patterned paper. I then went and got them printed from these ‘plates’ and distributed them to anyone I could get to take them. Since I was the owner/operator of a local headshop, it was not difficult to find folks to pass them off to. Hundreds of copies are now floating around out there somewhere and one was even archived at the University of Iowa Special Collections.

I reprint this here at Advanced Ape in the interest of highlighting the evolution that has occurred in both my ideas and my writing. I submit them for review by those who might possibly enjoy seeing a major part of the path I have taken to get where I am today as a thinker and writer. Parts of it are terribly embarrassing, while others still incite and inspire me. I have done my best not to change it, except a few minor tweaks to fix absolutely unreadable bits, which I could count on one hand. I have also provided photographs of the original plates that I used to print the original zine version. Whether it brings you laugh-out-loud revulsion or inspiration, I hope you enjoy this little peak into my mind over a dozen years ago. I can only imagine how I will feel a dozen years from now reading the things I wrote recently!


Page 1 (Cover)

mal1The Malcontents Manifesto

A Book of Discontent

as revealed to Joshua Scott Hotchkin

Philosophy, politics, religion…
Nothing is safe when The Malcontent gets his say.
A guide to freethinking.
If you think that everything is okay, reading this might be dangerous to your false sense of comfort and security.

 

 


Page 2 (Front inner-sleeve)

mal2What you are about to read is utter nonsense, but that’s no reason not to read it. In fact it’s precisely why you must read it. If you think that the answers to the questions regarding existence can be summed up in nice shiny logical statements, then you may never get the punchline. It’s a fool who chooses his logic to the sound of his own laughter. The reason I have went through all of the effort to produce this is not for your (the reader’s) benefit. It is simply the case that I must purge myself of all this excess nonsense so That I may move on to newer more exciting games of nonsense. Maybe, if you are anything like me, you will find something in this nonsense to ease your own discontent. Or maybe it will just give you the courage to think and say some crazy shit outwardly like I have here. Actually, none of the ideas contained within are very radical, nor are they original. You will find similarities to many religions and philosophies here. Hoever instead of a model of existence relying on esoteric superstitions or cold in human logic, I have used discontent to ‘solve the problem of the question of existence. Whatever that means. Everywhere you look there is discontent. The neighbors dog barks endlessly at nothing. You cannot ever eat, drink, sleep, intoxicate of fornicate enough to fulfill all of your pointless urges. And change is the only constant. Well, its become increasingly clear to me that discontent was responsible for all of this. Perhaps I am just a malcontent, projecting my own inner struggles on the whole. Either way, I feel a whole lot better knowing what I now think I know.


 

Page 3

mal3Book of Precepts

  1. There is no false, this is the only truth.
  2. There are no duality’s, only paradoxes.
  3. A paradox proves absolutely nothing
  4. A paradox disproves absolutely nothing.
  5. Paradox is responsible for hypocrisy, but hypocrites are not responsible for paradoxes. Therefore all are alas free from hypocrisy and free to explore new ideas without any inner-turmoil about contrary speaking.
  6. There can be no individual progress among individuals under the delusion that they are perfectly content to begin with. If you don’t know you are discontent, START PAYING ATTENTION.
  7. I agree that nonsense makes perfect sense and that I am the Dungherder. I can put my foot right in the pile and get my slice-o-the-pie.

 

Page 4

mal4The Cosmology of Discontent
Or “How we got into this whole mess.”

  1. In the beginning there was nothing but the one mind, and the one mind was without form or identity.
  2. The one mind was composed of every aspect of the universe.
  3. The one mind was unchanging for many eternities.
  4. At some point the one mind began to be overcome by a single aspect- Discontent.
  5. Eventually the one mind, overcome by Discontent, shattered into individual aspects.
  6. In order to maintain their individuality the aspects created the illusion of the physical universe.
  7. The physical universe contains all of the aspects of the one mind, but the individual aspects do not contain the one mind.
  8. Because the one mind was overcome by Discontent each aspect in the physical universe contains within it the seeds of Discontent.
  9. It shall come to pass that someday Discontent shall overcome all of the physical aspects and they shall collapse once more to a state of one mind.
  10. And so I have observed the nature of existence and non-existence to be not only cyclical, but paradoxically simultaneous, resulting in the absence of great meaning or ultimate truth…therefore I am.

 

Page 5

mal5The Parable of the Pancakes

Two wise men did come to dine within a Village Inn

The den of antiquity and patriot of pancakes

Upon finishing their meals the first wise man was gazing upon the second

Who was busying himself with an act of tidyness

The first wise man saw that the second wise man

Was dipping his napkin in butter

And using it as though it were a cleaning solution

Upon discovering the success of the solution

The second wise man did cryeth out – “Eureka!”

“The butter cleans up the syrup.”

Hearing this, the two wise men were enlightened


Pages 6, 7 & 8

An Anarchist’s Manifesto
Since we are trapped in the illusion of a physical universe and therefore subject to all of its complexities, I think we should be free to discover and explore our own complexities without being subjected to one another in any manner which limits this freedom.

  1. Human beings are individuals. As individuals we have varying interests and drives and different attitudes about our relationship to others. Some people are born with a very strong drive to seek out and win power struggles. Some people do not often feel the need to play games of order, or seek dominion over others. While some incidents during early childhood probably have much to do with the power drive of an individual, it is clear to this author that there always has been and always will be those who adopt the role of powerful, regardless of any advances in parenting that brain-pickers may invent.
  2. Thousands of years ago the powerful and the common had a balance in which the powerful were allowed to exercise their power in a manner that didn’t detract from the commoner having control over their own lives. But the powerful were driven to as much power as they were allowed. Then at some point the common people committed atrocious acts of chicken-shitterly cowardice and began giving up portions of their own lives to the powerful. And inch was given and many light years since have been taken.
  3. The powerful, in ancient times, declared themselves spiritual masters. They claimed to be the key to esoteric mysteries and divinities that the common were not in touch with. These divinities, it turned out, were higher beings who created us for the purpose of obedience and worship. These deities were useful inventions by which the powerful introduced the master and dog concept. With the powerful as intermediaries between master and dogs, they gained a status not granted to common man. And using fear the powerful were able to subject the common man to his own fancy. (This author believes that games of power and status are mostly male orientated/invented traits.)
  4. Now that the powerful have franchised the common person to positions of obedience through fear and insecurity (Alas, the Gods had not made us equal, an idea very useful for exploiting privilege.) they were ready to expand upon their domination. So they created geographic boundaries over which they appointed themselves leaders and created and enforced policies to keep others out so that nobody sane could come in and ruin the whole gig. And thus have we brought upon ourselves the stench of religion, government and property which rob us of freedom and autonomy and set the stage for war, greed, prejudice and hatred.
  5. For the next several thousand years the powerful refined their control. ‘Dark ages’ are interrupted by brief periods of ‘enlightenment’, but its never quite enough to dismantle the masters. And then along comes the industrial/technological revolution. Where the planet was once able to only support a few thousand scattered humans, we now had the resources for several billion. And the masters encouraged us to create these new human beings in larger numbers than ever before so that our hands would be tied with parenthood for most of our lives and we would hardly notice anything else going on. And certainly large populations justified the new system of human survival. -Wow, can this snake really swallow its tail!- Moreover, the more people, the larger the bureaucracy, and therefore the larger the gulf between the people and their masters. A chasm so wide they made it almost impossible, from their positions above us in their system, to dismantle.
  6. As technologies increased and populations sky-rocketed, the community lost its purpose.They now acted merely as property lines and served very little function in creating a social framework from which humans could connect. We grew further and further apart, yet more and more suspicious of one another. Since we had lost almost all of the control over our own lives, we began exercising power in a cowardly fashion by sicking the system on one another to get revenge for the frustration we felt as a result of the system itself.
  7. Fistfights became intolerable and wars fashionable. The ability of individuals to exercise their power, or even act on their own whims, became unthinkable. We have created physical and mental barriers that force us to deny our own truest desires. We have even suppressed the suppression of these desires. It is more acceptable to ignore one another than show love for one another, which is more frowned upon than flipping one another the bird in traffic. We deny our own animal nature and abide by rules that are unnatural to the conditions our species evolved in. We have even begun acting in a manner which is contrary to our own long-term survival.
  8. Some of us have the malignant feeling that things aren’t right. We are aware that our lives are not brand names to be bought and sold. We have discovered that our purpose is not blind obedience to ideas larger than us, but to search out and find what makes us happy. We wish a place to live our lives in regard to our own truest ideas about happiness and fulfillment without notions of success or achievement created by others for their own selfish purposes. We wish to seek our own shelter and food, our own survival. We will not stand in line for handouts from hands that fasten our shackles.
  9. We are taught all of our lives that it is no practical for us to feel this way. That we must accept the world as it is and conform to it. That we should lie down and take our beatings, for it is much easier than a struggle. We are told that we are weak and we cannot make difference, even in our own lives. We are taught that we are stuck. Those who abandon this loss of hope are are feared and despised by those who do actually feel weak and stuck. We are also hated by those who stand to gain from this infighting at the bottom of the power chain, for they know that we can overcome them.
  10. They know they are powerless to control us without our own permission. We give our permission whenever we go to work at a job that does not provide personal satisfaction, whenever we pay our taxes, whenever we are silent, whenever we follow rules compulsively, even though we see no value in them, and certainly whenever we go and vote for the masters. It is unfortunate that we have come to accept the masters to such a degree that we actually take an active part in pretending to select them. And we wonder why we are a bubbling cauldron of frustration and insecurity whose lives seem dull, meaningless and over-before-we-know-it. But it is not the masters who are the enemy. As we stated before, the powerful are just acting on their own natural impulses. The masters have also become enslaved to this system. Do you think the president would rather be talking with soldiers in a foreign land than at home making love to his wife? Do you suppose CEO’s would rather be making pointless decisions in a tall building rather than lying in the sand on the beach any more than the garbage man would rather be collecting trash rather than playing with his own children? Hell no! Now think again on it long and hard. Are you free? Truly free to do whatever you wish so long as no others are harmed and you are prepared to accept the consequences? Or do you define your freedom as the ability to choose from a set of preordained choices set before you? Is that what freedom means to you?

I do not wish to end this by telling you what you should do or how you should live your life. I just want you to know that you still have a choice to live the life you have carved out for yourself and abandon the life that was prepackaged and marketed to you.


 

Page 9

mal9Discontent As Salvation

If you are like most people you probably have a preconceived notion that Discontent is ‘bad’, that it is undesirable and that its opposite is the penultimate achievement of an individual. It is of no surprise, as we were all similarly brainwashed through the oversocialization that is rampant in our modern society. Those who would fool themselves with the idea of having reached contentment are so far removed from their truest desires that their lives are being lived for popular notions rather than for happiness, which is not to be confused with contentment. Happiness is reaching the top of the roller coaster and enjoying it despite the fear of the upcoming plunge. Contentment is watching others ride from the sidelines and not really feeling anything because you were too meek and afraid to be willingly and joyfully alive through the act of consciously facing your own fear.

In fact, not only is contentment the greatest betrayal of human complexity and desire, but those who believe they are content are the greatest enemy of happiness because through their consent to ideas larger than themselves they have weakened the position of those displaying the true human nature- The Malcontents.

Engage in warfare with contentment everyday. Either through direct action or by simply engaging in activities that which you would formerly not have because something besides your own true desire told you not to. I do not suggest you go out and hurt anyone. As a matter of fact you can start by alternately hurling compliments and insults randomly at strangers. Play in a mud puddle like a child. Go to work naked. Better yet, don’t go to work at all. Take the day off and instead spend it nakedly ranting at strangers from a mud puddle! In conclusion and in accord with the dissolution of duality’s, contentment is not ‘bad’ or undesirable. It is simply not the best, and certainly not the only path for achieving freedom, autonomy and happiness. Comfort and security are a piss poor consolation prize for the denial of your true nature.


Page 10

Those who worship the past are doomed to repeat it

mal10How many times have you heard someone argue the impossibility of of a better tomorrow using the past as their proof? How often has it been argued that we need our masters to protect us from ourselves, and then justified the observation by pointing to the folly of humans of the past? Does an undesirable yesterday really prove that tomorrow will be just as hopeless? History as we know it is an account of only those who have won power struggles, thus it hardly serves as an objective signifier for what we could achieve if we so desired. Those who write history have much to gain by defrauding you into believing that things have gotten as good as they are gonna get. Those who worship history are forever stuck in their ruts. They can see no way to get out of this mess. But we are not stuck in the past. Tomorrow can be better than every yesterday that came before. Humanity is not doomed to repeat the errors of its past unless we actively decide it to be so. The old adage ‘Those who ignore history are doomed to repeat it,’ is useless in that it teaches that we should learn primarily from our mistakes instead of our successes.

Tomorrow will be whatever you make it. The decisions you make to get there need not be haunted by the ghost of human folly. Tomorrow can be the place of your dreams and fantasies if you use your imagination. Pragmatists need not apply.

The future is unwritten…


Page 11 (Rear Inner-Sleeve)

mal11The following is a list of books, authors, organizations and other sources of guerrilla information that I find insightful and helpful in dissolving useless mental polarities. Check them out at your library, bookstore and in most cases online.
The Principia Discordia
The Church of the SubGenius
Robert Anton Wilson
CrimethInc
The Unabombers Manifesto

Disclaimer
The Malcontents Manifesto is not a substitute for freethinking. Its ideas are not to be worshiped or held accountable. The ultimate goal is to encourage individuals to think and live for themselves rather than blindly adhering to the strictures of popular culture with its systematic dogma and inconsideration for individualism.
Please copy and pass this along to your friends accompanied by your very own manifesto.

To contact the author send e-mails to
joshua@copblock.org
Please use the subject title ‘Discontent’ so that I do not mistake, and therefore erase, your email as spam.


 

Page 12 (Rear Cover)

mal12The Malcontents Manifesto
In which everything is explained, yet nothing is learned.

I blink, therefore I am.

In the vacuum of space subatomic particles blink in and out of existence. From nothing and back in barely enough time for the most precise scientific instruments to record their passing. Wait, did I say from nothing? How can that be? Can something come from nothing?

Of course you can’t get something out of nothing, but it happens all of the time. The universe is a lot more complex than the tiny brains we use to observe it with, so don’t worry about any of the mechanics. I have gathered all of the facts and they are not only contradictory to one another, but completely irrelevant to how I choose to think, feel and act most of the time.

Thus \, I recommend using facts only when they are beneficial in helping you attain you truest desires, and not for the tiresome practice of compulsively trying to make your point to others. This human folly of making and accepting blanket statement has caused enough needless confusion, hatred and suffering among us.

From nothing we come, to nothing we shall return.
Everything else is in between.


 

 

What Would A New Kind of Music Sound Like?

newmusic

I have always wondered what a new type of music would sound like. All modern music is an extension of the history of humanity back until our ancestors first made music. I can even imagine that the invention of music is what set our earliest ancestors apart from theirs. Just as a certain physical form is inherent in the hominid species, so might a very simple commonality lie in the musicality of our species and its earliest recognizable ancestors.

It is my theory that music was an organic extension of making tools in groups. When early tool makers worked together, chipping away at stone, a sort of rhythm probably evolved. Since music is pleasing, this would have provided a sort of bonus reward for the act of making tools, besides their practical use. This would have caused tool creation and use to expand, causing a watershed of technological evolution that gave hominids a huge survival advantage. From the basic caveman drum (rock on rock) circle, it is not hard to imagine that vocalizations began to accompany these rhythms, which themselves spiraled off into language.

If in the beginning of the hominid era success was predicated on the musicality of tool making spiraling into new human innovations and creative outlets, as I suspect it may have been, then we can perhaps suggest that there is always a strong correlation between technology and music. We will explore this important connection more later.

But first we should try to understand music in basic terms and what it means to sound ‘new.’ The following commentary was written by Redditor ‘standard_error‘ in a discussion entitled, ‘What will music sound like in 50, 100, 500 years from now?‘:

If we could guess what music would sound like tomorrow, we would make it today. That said, there are reasons to think that the rate of innovation will slow down going forward (I know that the chances of me being completely wrong on this are huge).

First, my impression of the history of western art (of which music is a part) is that innovation kicked into high gear somewhere in the early 20th century. Before this, progress had been fairly gradual, with people making tweaks to what came before until things faded into something new, but in the 20th century, it became an explicit purpose of art to push into new territory as fast as possible. Think of art music – what’s called the common practice period, where composers used diatonic harmonies and chord progressions, lasted from around 1600 to around 1900. Then in the early 20th century, we had composers like Strauss (Elektra) starting to break up harmony, with people like Debussy and Stravinsky pushing ahead. As early as the 1920’s Schönberg had finished the job with twelve-tone serialism, and after WWII people like Stockhausen and Xenakis made sure there was nothing left of recognizable harmony, melody or rhythm as we knew it in music. This is an incredibly swift development compared to what had gone before. In the 60’s John Cage finally forced us to include any sound whatsoever in the definition of music.

Jazz saw a parallel development with a culmination in free jazz in the early 60’s, and fusion jazz in the late 60’s and early 70’s. Rock music came along, and in a couple of decades people had pushed that to every conceivable extreme, with prog rock playing as complicated music as possible, doom metal playing as loud and slow as possible, punk rock playing as fast as possible, etc.

Then of course electronic music, which people also quickly used to explore all extremes, from hardcore gabba to almost inaudible minimalism.

My impression, and this might be because I’m getting old and don’t have my ear to the ground anymore, is that most new music during the last decade or two has been recombining previous styles rather than bringing something completely new. My interpretation of this is that the 20th century brought with it a frenzied exploration of the limits of all artforms, which means that what’s left is to find new recombinations within the terrory mapped out by these musicians and artists.

Second, Philip Glass made a good point in a recent interview – he said that really new music only comes along as a result of a new process. In his example, this was the electronic organ which brought with it new playing techniques, which in turn enabled his fast, repetitive music. I think there’s a lot of truth to this – think of the invention of the electric guitar, or the synthesizer, and what huge waves of innovation followed. However, we’ve had computer generated music for a couple of decades now, and this technology enables basically any conceivable sound. It’s hard to see a new innovation that would be as disruptive.

Again, I know that people have predicted the end of innovation countless times, and that I’m very likely making the same mistake, but I hope my arguments can at least spark some discussion.

At this point another Redditor ‘o0lemonlime0o’ shares some doubts about those statements:

That’s a bit of an oversimplification. Music of 1600 is vastly different from music of 1900. It bothers me when people lump all common practice period classical into one category.

That said, I would agree that over the course of history the rate of change of music as a whole has increased dramatically. During the medieval period, centuries went by with little musical development in the western world, and now you can hardly go a year without some new genre or trend being created.

Where we disagree is in your assertion that in the last decade or two, nothing completely new has been created. If you only look at rock music, then this maybe has a certain amount of truth to it (and that’s a big maybe), but tons of incredibly leaps and developments have been made in indie, electronic music and hip hop.

At this point standard_error makes a mathematically based argument about music that is worth thinking about:

Sure, music changed immensely during the common practice period, but it did so gradually and more or less within a single framework. In the early 20th century, the explicit purpose of many composers was to break from that framework in every way possible. It is this change in attitude and purpose that I think is a large part of the reason for why so many things were explored in music during the last century.

As for recent developments, you’re probably right. Still, I can’t help to think that most of what’s new nowadays are new combinations of old ideas. I’m going to use a mathematical analogy – I apologize in advance. Think about music as a multidimensional space, where each dimension is some aspect of music. For simplicity, let’s assume that music is two-dimensional, with consonances-dissonance along the vertical axis, and fast-slow along the horizontal axis. Now every piece of music can be represented as a point on a piece of paper. My claim is that for much of history, composers were pushing further and further out along these axes, into completely uncharted territory. Today, there are points all around the edges, meaning that it’s not really possible to go any further out. On the other hand, the paper is far from black, meaning that there are still many places where new points can be placed. But these new points will mostly lie within the space explored by previous musicians. To generalize, I’m thinking about a multidimensional vector space, the edges of which have now mostly been mapped out, so that new music will mostly lie in the interior, and thus be linear combinations of older pieces.

So, have we really explored the entire area of musical possibility and have only left to fill in the blank spots within those confines?

Avant Garde musicians would argue that there are still limits beyond those boundaries. However, these limits are merely limits of sound. Outlier sound creations are often inaccessible to most people because the intense focus on pushing the boundaries of sounds tends to cast aside the more subjective aspects of music and the emotionally evocative effects that even the most simple music can achieve.

When I wonder what new music might sound like, I am not just referring to the novelty of newness, but what an enduring form might sound like. From the earliest primitive rhythms to the folk music of societies to the royal artistry of classical music, and into all forms of modern music there lies a common set of elements: melody, harmony and hooks. It is these elements which give music its emotional content and ability to endure through repetition. Merely new music is meaningless if it doesn’t gain a large and lasting audience relative to human populations, cultures and societies.

For this reason I think that future music is not necessarily always so much about exploring boundaries, but filling in aural blank spots, as was suggested above by Redditor standard-error.

It is also why I doubt that things like binaural beats will replace music. Not because they do not facilitate emotional or mental state changes, but because they do it directly, and not through the subjective process of interpretation which occurs between artist and listener. While pure forms of sound might someday become a popular thing themselves, I do not think that they are necessarily musical, or at least able to serve the same purpose or create the same kind of meaning. The subjective nature of the observer is an important part of music. It is an area of human experience where the journey really is more important than the destination.

In that same Reddit thread above, the original submitter asks a question I myself have asked: is trying to imagine new music like trying to imagine a color outside of our visual range? If the sonic boundaries have already been located, and technology has already given us the ability to make any audible sound easily accessible to musicians, then have we reached a dead end? Do the limitations of our experience of sound themselves provide the answer to our question?

Imagine that you were slowly going deaf. You were able to hear music for much of your life but it slowly faded and your musical tastes tended to fulfill the increasing limitations of your hearing. Then a new technology restored your hearing, and because the limits of that technology differ from organic hearing, your musical tastes not only changed, but how music itself sounded completely changed.

This was the case for Sam Swiller whose music tastes not only changed to reflect the new heightened boundaries of his hearing while simultaneously becoming limited by the device he now uses to hear. While one set of limitations increased, his ability to hear in general, another decreased, the tonal range of his technologically-facilitated hearing.

Here we find an interesting possibility. If the new hearing technology could limit his audio range, could it eventually be used to increase the human audio range? Many devices have increased our visual range in numbers of ways. We can now see beyond color into thermal and chemical composition. Is it possible we can expand the possible range of sounds we can experience outside of the limits experienced by natural human hearing?

As I mentioned early on, technology is a huge part of human music. The advances we have experienced in musicality have often come along as the result in advances in instrumentation, organization and even the production process itself, all facilitated by new technologies.

So is it possible that we have perhaps reached a limit of musicality that is merely a function of the limits of the human hearing apparatus, and that if we were to improve this experience by creating technological instruments that actually expand the sonic limitations of our hearing, it might allow for new ranges and complexities of sound? Can we not imagine what a new music might sound like because we do not yet have the ability to hear it? Might the re-creation of the physical equipment which facilitates the human experience of sound be the next step in music?

Truly objective absolutes do not exist. Our methods of attempting to harness objectivity largely only exist for expanding our subjective experiences of existence. In the world of forms, our ability to experience anything new is intrinsically limited by the apparatus we use to gather and perceive those experiences. However, our ability to improve, or at least expand the abilities of those apparatuses, does not yet seem to have reached the same sort of critical limits music currently faces.

With music being such an important part of our species heritage and conscious experience, it is unlikely to ever lose its general importance to humanity. Nor will we remain content to simply recombine what is already possible. So it seems inevitable that as a way of increasing subjective experience and human pleasure, we will necessarily have to replace our ears.

So then what of our other sensory apparatus? Will it be necessary to someday expand our taste palettes by replacing taste buds with more sensitive instruments, once we have combined all the known flavors and can no longer generate new flavor experiences through recombination? Sight, smell and touch might also themselves be enhanced and expanded in the future by new technologies.

Our subjective experiences create meaning, pleasure and pain, joy and misery. They are the guides by which we hack out a path into the future. In a world where technology has facilitated such rapid advances in art, our ability to experience the new and novel will have to eventually be supplanted with technologies that expand our perceptive abilities.

So does the question “What would a new kind of music sound like?” lead us to the inevitability of transhuman technology? Can we physically evolve fast enough to meet the needs of our rapidly expanding consciousness, or will it become necessary to replace biological processes by technological ones in order to continue creating meaning and purpose in our lives? And given that we must do so, what will that do to the meaning and purpose we have already created through the biological processes we have evolved through since our very inception as distinct physical entities?

And if even our core values must change to facilitate our future evolution, what can we say about the permanence of anything? Are there objectively positive and negative human experiences, or are these themselves entirely impermanent conditions? Is anything always good/true/etc. or is human experience itself a creative process facilitating its own methods of evolution?

“They teach you there’s a boundary line to music. But, man, there’s no boundary line to art.” -Charlie Parker

 

 

History Science Theatre Presents: Marie Curie aka: the Madame

madame curie

The Madame did not fuck around. She was so hard for science that she eventually scienced herself to death. But not before she got all up on two Nobel Prizes as the first woman to hit that shit. As a victim of chronic seriousness she was able to transform a lively-threatening condition into a hardcore work ethic and mega uptight bitch face. It is a strange fact that no photographs or personal accounts exist of MC Radiation (her street name) in which she is anything less than dour, stoic and apparently suffering from an acute case of silicate particulates in the uterus. But man, could she ever fucking science!

Being a woman, she was unable to get real people to take her seriously. From her quest to obtain a formal education to her time providing them she was often dismissed because she was a woman, a pollock, or even worse- a jew. Which she totally wasn’t. As a fundamentalist reformed agnostic she avoided religion and that just made things harder on her because, holy shit, FEMALE JEWLOCK ATHEIST! Yet in spite of, or perhaps because of the haters, she persevered like a motherfucker and helped to unlock the secrets of nuclear physics which gave her species the ability to destroy itself almost overnight.

Even though the Madame was crusty in outward appearances she must have liked to bone, because she had two children and after her husband died she became a home-wrecking cougar to a younger, married man. Her marriage was both personal and professional, even though the dude was french. It was originally science which brought them together, but it was huffing nitrous oxide and having double penetrations with a lab assistant that cemented their romance. If such a thing existed, and it shouldn’t, the two would have won a Nobel prize in love. However, tragedy struck early on and he died from injuries sustained after walking out into a foggy street and getting hit by a horse and buggy. Who the fuck does that? You are a god damned scientist, observe your surroundings and shit!

After he died she was even more committed to sciencing. Her work using radioactivity to help in medical applications won her some support from the haters. Since she was always so serious she hated having haters so she tried to do some public relations work by donating her time, expertise and equipment to injured soldiers during the first world war. But even the French government saw through the ruse and didn’t give her any respect for her efforts. It was always her contribution towards radioactive medicine that carried her reputation even though humans are starting to figure out that maybe nuking yourself back to health isn’t the best fucking option.

Eventually she nuked herself to death. Doesn’t seem very smart to me. You would think that if she was a scientists concerned with health she might have had the sense to test for side effects before going so far as carrying around radioactive materials in her pocket. In seventh grade science class I had to dissect a frog in order to understand biology, but even then I already knew enough not to put it in my pocket because it would start to stink and decompose and maybe make me sick. Where is my Nobel prize? I mean, seriously, you can’t even read her journals today because they are still too radioactive. Ever since she died she has become a sort of female role model which the conditioning factories we call schools use as an example of what even little girls can accomplish if they set their mind to it. Personally, I think Xena is a far better role model for the little ladies.

Fun MC Radiation Fact #19:
In her lifetime the Madame was an outspoken advocate for anal sex. Not only would it reduce pregnancies, she explained, but it led to far greater scientific insight. For men she advocated either gay sex, a woman using a strap-on, or both for heightened scientific reasoning. Her least known work is a treatise on the subject entitled Curie My Ass. In it she explains that it was during a good colon pounding in reverse cowgirl that she first envisioned the nature of radioactivity and its many potential uses in medicine, energy and endless apocalyptic scenarios.

History Science Theatre Presents: George Washington Carver

geroge washington carver

G Dubya C was born with a congenital birth defect that left him afflicted with slavery, but he managed to overcome this obstacle with a steady diet of peanuts, which later led him to science in order to share the miracle of this magical legume with the world. Although his strong preference for not being a slave and his enthusiasm for crunchy snacks are his most well-known attributes, his contribution to the gospel of science extended into other areas. Just not much.

Besides peanuts, George extolled the glory and benefits of soybeans, sweet potatoes, pecans and Jesus Christ. He claimed that rotating these crops with cotton would benefit the soil and leave the land able to sustain profitable yields for eons to come, although he was far less copacetic with rotating Jesus with other Messiahs for the same or any other purpose. Even though he credited science with his discoveries, he left very little evidence in any form of his scientific work. Modern scholars have come to theorize that perhaps his work consisted of, “Not so much science, but just fucking around until he found shit that worked.” This is considered a Cardinal Sin in the science, but his reputation as a scientific educator has left his sci-cred intact despite his methodological shortcomings.

Another way in which G Dubya C was scientifically heretical is that he dabbled in the visual arts. His early college education was actually as an artist but since this brought him so much self-loathing and shame as a Christian and Scientist, he made a vow to Jesus and the ghost of Isaac Newton to never sully himself with pure, unmethodological creativity again. As a teacher he also required his students to consider their character and forbade them from atheism, laziness and chronic masturbation while doing sciences with him.

To be honest, besides crop rotation and being nuts for nuts, there is not much else to be said. Later in his life he gained national celebrity status as patronizing white people heaped him with praise and attention in order to prove to one another that they were the more advanced individual. These condescending race contests often led to full-on fights, most notably the one between Charles Lindberg and Franklin Roosevelt, which led to the latter having to spend the rest of his life in a wheelchair. In 1999, Time Magazine listed George as the second most famous peanut celebrity of the century after that Mr. Planters guy with his adorable top hat and monocle.

Fun Facts about GWC:
Although he was reluctant to talk about it in public, G Dubya C was an avid fan of feudalism and often spoke with friends about the error of a democratic republic. In a rare candid moment in one of his journals he left the following entry. If you consider how stupid the average human is, statistically half of them are even stupider than that. Giving these ignorant houseapes a role in determining the necessity of political action is like giving a Chinese prostitute a job drying dishes with her vagina. Ain’t nobody got time for that.